Ruth Lomon

for brass quartet (two trumpets in C, trombone, bass trombone)

Commissioned by Francis J. Cooke, Director of Music, Lexington Unitarian Church to accompany the first performance of the Requiem choruses.

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Anna Rubin

for concert wind ensemble

ca. 9'28"

Chiaroscuro was commissioned by Dr. Brian Kaufman, director of the University of Maryland, Baltimore County Wind Ensemble in 2016. The term 'chiaroscuro' is a term used in painting to refer to the dramatic treatment of light and shade. I exploit the many colors of wind, brass, percussion and piano to contrast and blend with each other. The piano in particular adds a brilliant coloristic component. The piece is highly rhythmic and builds to a rollicking climax where the full power of the brass section holds sway. The surprise ending is gentle, highlighting the upper winds.

The piece is recorded on Albany Records entitled Filtering, published in 2020.

Click here to view the score and listen to the recording.

Click here to download all performance materials.

Rahilia Hasanova

for orchestra

ca. 8'46"

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Lois V Vierk

for 2 trumpets, 2 trombones, and 2 bass trombones

ca. 21'47"

This 22-minute work unfolds slowly, and it gradually builds in intensity to a dynamic and expansive climax. At first, languid descending glissandi flow across the space from choir to choir. Little by little the materials develop, pitch relationships become more complex and faster moving, the work becomes rhythmic, glissandi get faster and change direction, the register expands. At its climax the piece settles into arpeggios across the range of the instruments, against fortissimo chords and bass trombone pedal tones.

Jagged Mesa was premiered in 1990 at St Mark's Church in the Bowery, on New York City's lower East Side, with a modern dance choreographed by Risa Jaroslow. St. Mark's Church is a big, cavernous space, with balcony around the top, and a beautiful modern dance floor below. There is a long reverberation time in the church. The piece was composed with this in mind. Brass players were in the balcony – 3 players on each side – and the composer conducted from below, on the same level as the dancers. Sounds in the piece are written to overlap. The slowly-moving tones and glissandi blend and resonate in the space.

Recording is by: 

Gary Trosclair, trumpet

Bruce Eidem, trombone

Christopher Banks, bass trombone

from CD:

Tzadik 7056 "Lois V Vierk: River Beneath the River"

Click here to view the CD on Tzadik.

Click here to view the score and listen to the recording.

Click here to download all performance materials.