Ruth Lomon

for mezzo soprano, piano, and percussion


"Combustion ..." is fiery with a story accompaniment. "Dream Polyps…" is gentle, spectral, and dissolves into the first Choros. This divertissement has some humorous effects between the vocalise of the singer and the antics of a slide whistle. The heightened excitement generated by the second quotation intersects the more introspective mood of the next two verses.

"Golden eyebrow auras…" is accompanied by a fragment of Bach's Easter Cantata and closes into the second Choros which is reminiscent of the opening preamble, and features a play between a strummed C major chord inside the piano and a D major chord played on a mouth organ. The last declamatory interjection builds from a simple two-note ostinato into a majestic close.

The last two verses are closest in mood, having a quiet modal quality in the voice, accompanied by plucked strings and inside-the-piano strummed chords. SYMBIOSIS is dedicated to Eileen Davis and Rosemary Platt.


Click here to view the score.