Linda Dusman

for orchestra

ca. 11'15"

What Remains constitutes the second piece in a series of works embodying the concept of pis aller—“paths of last resort,” for me a fitting metaphor for our time of great immigrations, political extremes, and sudden local disruptive violence. What Remains explores specifically the human trait of obsession that often drives individuals to this final recourse, and that path’s potential for leading toward both great good and great evil.

What remains at its end? The air we breathe, the lives that air enables, our shared potential for good, and the possibility of an arrival at that end, rather than its opposite. What Remains stands as a reminder of humanity’s collective responsibility to walk a path away from obsessive violence and ugliness toward intentional peace and beauty.

A recording was made by the Hopkins Symphony Orchestra, conducted by Jed Gaylin. 

Click here to view the score and listen to the recording.

Linda Dusman 

for flute, clarinet, violin, cello, double dass, harp, percussion, and piano

ca. 11'00"

What must our Lady Liberty be thinking? Staunchly guarding the NewYork harbor, sending a beacon of light still, but now a museum, what are her sonic memories of mothers singing to comfort their children? Mother of Exiles, your huddled masses are now at our southern borders, where there is a wall instead of a beacon of hope. How do we create a more perfect union, when we are faced so dramatically with the imperfections of our past and our present? What would that union sound like?

I want to express my appreciation to the cultures that created the lullabies quoted in this work: Syria, Nigeria, and the Andes region. My hope is that our shared concerns of caring for the young might bring these disparate voices together to forge a sustainable future. Any royalties resulting from performances of this work will be donated to Unicef, the United Nations agency for children.

The performance was recorded by the Inscape Chamber Orchestra, conducted by Richard Scerbo.

Click here to view the score and listen to the recording.