- The Mooghfil (2001)
-
Rahilia Hasanova
for 8 cellos and 4 double basses
ca. 22'00"
This piece was also entitled "Mughfil."
- Se'maa (1994)
-
Rahilia Hasanova
for flute, oboe, clarinet in Bb, percussion, guitar, harp, piano, strings
ca. 16'20"
My composition Sema'a, for the large ensemble, is not an illustration of dancing dervishes. Sema'a is my thoughts about the mankind circling destiny, about the motivation of the nature to create, variate, and circle forms and circumstances again and again. Sema'a is my pray for humanity and my hope.
Sema'a was commissioned by the Nieuw Ensemble, the Netherlands and premiered in Amsterdam, Utrecht, and Hague in 1994. Conductor: Ed Spanjaard
Click here to listen to the recording.
- Samandary (2007)
-
Rahilia Hasanova
for flute/piccolo, strings, and piano
ca. 15'00"
- Sajda (2006)
-
Rahilia Hasanova
for chamber orchestra, soprano, and tenor
ca. 35'00"
- Marseaya (1993)
-
Rahilia Hasanova
for flute, oboe, clarinet in Bb, bassoon, string quartet, piano, and chorus
ca. 15'35"
- Pirebedil (1996)
-
Rahilia Hasanova
for oboe, clarinet in Bb, bassoon, French horn, percussion, strings, piano, and voice
ca. 26'58"
Pirebedil is a name of a group of old ancient Azerbaijani carpets which are well known by its special authentic symbols. Each symbol represents a certain meaning that is a part of a large puzzle. Being aware about these meanings one can read the Pirebedil as a text. These amazing hand crafted carpets uncover forgotten stories and legends.
Pirebedil was commissioned and performed by New Ensemble, the Netherland in 1996.
Click here to listen to the recording.
- Pazyryk (2014)
-
Rahilia Hasanova
for septet
ca. 10'45"









