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Tag: bass clarinet
Dreaming Fire, Tasting Rain (1995-96, rev. 2024)

Anna Rubin

 

5 instrument version for flute (piccolo), clarinet in Bb (bass clarinet), violin, cello, and piano

6 instrument version for flute (piccolo), clarinet in Bb (bass clarinet), violin, cello, piano, and percussion (vibraphone)

ca. 10'30"

 

Dreaming Fire, tasting Rain was originally written while I was working on my Ph.D at Princeton University. The Nash Ensemble of London premiered the work at Princeton. The 6 instrument version includes percussion and is intended for performance by the Ruckus Ensemble at the University of Maryland Baltimore County. The images of fire and rain translated into a variety of musical textures – sometimes serene and sometimes jagged and thorny. In the opening, heterophonic or layered melodies surge and then subside. A middle section begins with the lonely sound of the piccolo against spiky cello pizzicati and then builds to a driving pulsed rhythm, intensified with percussion. The music then eases into a lyrical cello melody against a background of rolling piano chords and flute and violin countermelodies.

The 5 instrument version has been performed at Oberlin College Conservatory, the University of Maryland Baltimore County, and the Heidelberg College Festival of Women.

The 6 instrument version of the piece premieres in 2024 at the University of Maryland Baltimore County.

 

 

 

Click here to view the score and listen to a recording for 5 instruments.

Click here to view the score and listen to a recording for 6 instruments.

Click here to download all performance materials.

 

Chiaroscuro (2016)

Anna Rubin

for concert wind ensemble

ca. 9'28"

 

Chiaroscuro was commissioned by Dr. Brian Kaufman, director of the University of Maryland, Baltimore County Wind Ensemble in 2016. The term 'chiaroscuro' is a term used in painting to refer to the dramatic treatment of light and shade. I exploit the many colors of wind, brass, percussion and piano to contrast and blend with each other. The piano in particular adds a brilliant coloristic component. The piece is highly rhythmic and builds to a rollicking climax where the full power of the brass section holds sway. The surprise ending is gentle, highlighting the upper winds.

 

The piece is recorded on Albany Records entitled Filtering, published in 2020.

 

 

Click here to view the score and listen to the recording.

Click here to download all performance materials.